Ada Bird Petyarre - indigenous artist / Australian Art

 

 

MORE = 

 https://www.artgallery.nsw.gov.au

https://www.portrait.gov.au/people/ada-bird-petyarre-1930

https://www.agsa.sa.gov.au

https://mandelartgallery.com.au

 

Early Life and Cultural Roots

Ada Bird Petyarre was born in 1930 on the traditional lands of Atnangkere, Utopia, situated on the further east of Alice Springs. Brought up in a very religious landscape, she was immured in the legends, rites, and ceremonies of her Anmatyerre identity. These formative years played a very crucial role in her artworks because they informed her painting an understanding of the spiritual and cultural facets of their forebears.

She had an affinity with the land and stories told through Dreaming by word-of-mouth or oral tradition became the basis for her work. Ada Bird inherited her talent from her relatives who were also famous Indigenous artists, such as her sister, Emily Kame Kngwarreye and niece Rosemary Petyarre, and was born into an artistic environment filled with essential cultural values.

Ada Bird Petyarre 122cm x 149cm

The Utopia Batik Movement

Like so many of her contemporaries, Ada Bird Petyarre did not paint until the last two decades of the twentieth century; she participated in the Utopia Women’s Batik Group, founded in the mid-1970s by the Aboriginal Affairs Branch of the Northern Territory government to grant Aboriginal women employment.

The Utopian Women's Batik group was formed and led by Julia Murray. The original members of the group include Emily Kanekngwarreye, Lindsay Bird Mpetyane, Kathleen Petyarre, Violet Petyarre, Lena Pwerle, Gloria Petyarre, Nancy, Myrtle and Ada Bird Petyarre. Using textiles, she and other artists have tried to apply batik designs in a way that promotes the Dreaming stories and heritage. This collective project was instrumental to the development of Utopia as the hub for indigenous art production.

The Batik period enabled Ada Bird to fine-tune her recourse to images and become familiar with the art scene on an international level. Nevertheless, at the end of 1980, she decided to paint with acrylic on canvas as this provided her with the most freedom in her creation and contributed to the formation of her individual portfolio.

 

Themes and Artistic Style

Most of the works by Ada Bird Petyarre depicted Dreaming stories that were inherited from her ancestors. She has painted ‘Awelye’- women’s ceremonial body painting and other subjects related to her peoples‘ culture such as sites, plants and animals.

Among her most famous collections is the one telling the story of the Bush Hen Dreaming associated with sacred places and cycles. Her paintings also depict edible and medicinal plants that her community understands and interacts with the immediate environment.

Her works feature bright and highly saturated hues that accompany a combination of geometric shapes and forms done through dotting. With grace, she has incorporated conventional iconography with modern methods or styles and has been able to come up with active forms and movements that depict the Dreaming. It is for these reasons, and more that many of her works are noted for rich emotional charge and spirituality.

Ada Bird Petyarre 900mm x 1200mm

 

Recognition and Legacy

It was not until the 1990s that Ada Bird Petyarre’s art was well received, and many of her paintings were displayed in major exhibitions in Australia and those held in America, Europe and Asia. Her paintings are in the collections of the National Gallery of Australia, and the Art Gallery of South Australia, as well as private and public collections internationally.

Ada Bird was one of the first artists in the Utopia art movement and contributed to the promotion of Aboriginal art worldwide. In her work, she was able to show the sublimity and the variety of the Aboriginal people's art and played an important role in the cultural shift of recognizing Indigenous artists in Australia’s contemporary art world.

Besides being an artist, Ada Bird Petyarre was an elder of the community and an important person in society. She served as a crucial link between the younger and older generations and was responsible for passing on the knowledge of Anmatyerre culture and ensuring that these traditions remained lively and active. It was crucial for her to be a part of a culture, in which she was a defender, as well as an artist.

Although Ada Bird Petyarre died in 2009, her artistic activity is still going strong. Her works are still considered to contain deep religious, cultural and artistic meanings. She became an important artist in the art movement of the Utopia and will be remembered by future generations of Aboriginal artists and conveys the history and culture of Australia.

Body-Paint-No-3147

 

Dive into the Story of Ada Bird Petyarre

See Ada Bird Petyarre's art paintings and colourful narratives of the Dreamtime. Every piece of work is their view of the Aborigines’ heritage and the history of Utopia.

 

 

  • Ada Bird Petyarre

    Awelye

    1997
     
  • Ada Bird Petyarre

    Emu

    1991
     
  • Ada Bird Petyarre
     
  • Ada Bird Petyarre

    Untitled

    1990
     
  • Ada Bird Petyarre

    Untitled

    c.1986
     
  • Ada Bird Petyarre

    Untitled

    c.1986
     
     
    BEST to look at past sales = invaluable =
     
    https://www.invaluable.com/artist/petyarre-ada-bird-bcweydt9iy/
     
     
    • Ada Bird Petyarre Sacred Grasses, 1994 * synthetic
      Jun. 06, 2012

      Ada Bird Petyarre Sacred Grasses, 1994 * synthetic

      Est: $4,000 - $6,000

      Ada Bird Petyarre Sacred Grasses, 1994 * synthetic polymer paint on canvas 153 x 122 cm

      Mossgreen Auctions
    • Ada Bird Petyarre, (c. 1930-2004), Endunga (Sacred Grass), 1989, acrylic on canvas, 149 x 124 cm
      Mar. 17, 2026

      Ada Bird Petyarre, (c. 1930-2004), Endunga (Sacred Grass), 1989, acrylic on canvas, 149 x 124 cm

      Est: $6,000 - $8,000

      Ada Bird Petyarre (c. 1930-2004) Endunga (Sacred Grass), 1989 acrylic on canvas inscribed verso 'Caama, Cat. No. AB 23-389'

      Shapiro Auctioneers
    • ADA BIRD PETYARRE, Jurrukukuni (Boobook Owl), 1997
      May. 19, 2026

      ADA BIRD PETYARRE, Jurrukukuni (Boobook Owl), 1997

      Est: $200 - $300

      ADA BIRD PETYARRE c.1930 - 2009 Jurrukukuni (Boobook Owl), 1997 ochre and acrylic on carved wood 30 x 10 x 10 cm PROVENANCE Utopia Art Sydney, New South Wales The Collection of Dame Marie Bashir AD CVO and Sir Nicholas Shehadie AC OBE, Sydney, New South Wales Accompanied by original receipt from Utopia Art Sydney This carved and painted work by Ada Bird Petyarre depicts Jurrukukuni (Boobook Owl), an important ancestral figure within Anmatyerre cultural knowledge. Carved from wood and painted with ochre and acrylic, the figure is defined by its simplified, upright form and carefully applied surface patterning. The treatment of the owl emphasises both its physical presence and its spiritual significance, with the design carrying associations of identity, place, and story. Ada Bird Petyarre, a senior artist from Utopia, is recognised for her paintings and occasional sculptural works that draw on ancestral themes and the natural world. This piece stands as a concise and resolved expression of her practice, where material, form, and narrative are closely aligned

      Art Leven (formerly Cooee Art)
    • ADA BIRD PETYARRE (C.1930-2009) PEINT
      May. 21, 2015

      ADA BIRD PETYARRE (C.1930-2009) PEINT

      Est: €1,800 - €2,000

      ADA BIRD PETYARRE (C.1930-2009) PEINTURES CORPORELLES Acrylique sur toile 121 cm x 91 cm

      Cornette de Saint-Cyr
    • ADA BIRD PETYARRE (c.1930 - ) Bush Flower Dreaming
      Apr. 16, 2007

      ADA BIRD PETYARRE (c.1930 - ) Bush Flower Dreaming

      Est: $2,500 - $3,000

      ADA BIRD PETYARRE (c.1930 - ) Bush Flower Dreaming inscribed verso, 'Ada, Bush Flower, Ada Bird Mulga Bore Utopia, AB086' acrylic on canvas, 135 x 178 cm. Provenance: Utopia Art, Alice Springs. Certificate of authenticity supplied with a photograph of the artist with the work, signed and dated 1996.

      Joel
    • ADA BIRD PETYARRE (c.1930 - ) Jungala inscribed
      Apr. 16, 2007

      ADA BIRD PETYARRE (c.1930 - ) Jungala inscribed

      Est: $2,000 - $3,000

      ADA BIRD PETYARRE (c.1930 - ) Jungala inscribed verso 'Ada Bird Petyarre, Utopia Art, Jungala 94' acrylic on linen, 122 x 197 cm. Provenance: Utopia Art, Alice Springs, signed and dated 1994.

      Joel
    • ADA BIRD PETYARRE (CIRCA 1930-2004) Women's Dreaming 1990
      Oct. 24, 2021

      ADA BIRD PETYARRE (CIRCA 1930-2004) Women's Dreaming 1990

      Est: $800 - $1,200

      ADA BIRD PETYARRE (CIRCA 1930-2004) Women's Dreaming 1990 synthetic polymer paint on linen inscribed verso: ADA BIRD catalogue number: 1-690 140.5 x 110cm PROVENANCE Utopia Art, Sydney

      Gibson's
    • ADA BIRD PETYARRE (CIRCA 1930-2004), Untitled
      May. 08, 2023

      ADA BIRD PETYARRE (CIRCA 1930-2004), Untitled

      Est: $800 - $1,200

      ADA BIRD PETYARRE (CIRCA 1930-2004) Untitled batik on silk laid on linen 110.5 x 193cm PROVENANCE Utopia Batik and Art, Alice Springs (accompanied by a label) © Ada Bird Petyarre/Copyright Agency, 2023

      Gibson's
    • ADA BIRD PETYARRE (CIRCA 1930-2009) Untitled acrylic on canvas
      May. 19, 2016

      ADA BIRD PETYARRE (CIRCA 1930-2009) Untitled acrylic on canvas

      Est: $1,200 - $1,800

      ADA BIRD PETYARRE (CIRCA 1930-2009) Untitled acrylic on canvas inscribed verso with cat. no. C137 119 x 148cm

      Leonard Joel
    • Ada Bird Petyarre (c. 1930 - 2009) Sans titre Acrylique sur toile
      Jun. 06, 2015

      Ada Bird Petyarre (c. 1930 - 2009) Sans titre Acrylique sur toile

      Est: €2,500 - €3,000

      Ada Bird Petyarre (c. 1930 - 2009) Sans titre Acrylique sur toile - 145 x 118 cm Groupe Anmatyerre - Utopia - Désert Central

      Millon & Associes
    • Ada Bird Petyarre, Women's Ceremony
      Jun. 22, 2023

      Ada Bird Petyarre, Women's Ceremony

      Est: $500 - $800

      Ada Bird Petyarre Women's Ceremony Acrylic on canvas 1991, Hank Ebes, Aboriginal Gallery of Dreamings, Melbourne, acquired from the above in 1991, Richard Kelton Collection, Santa Monica

      Abell Auction
    • Ada Bird Petyarre, 1930 - 2009, Awlye Totems
      Jun. 22, 2023

      Ada Bird Petyarre, 1930 - 2009, Awlye Totems

      Est: $700 - $1,000

      Ada Bird Petyarre 1930 - 2009 Awlye Totems Acrylic on canvas 1991, CAAMA Shop Pty. Ltd., Alice Springs, cat. no. U6-191, Paul Banney, Jukurrpa Aboriginal Art, Mullumbimby, acquired from the above in 1991, Richard Kelton Collection, Santa Monica, Exhibited: ‘Awake to the Dreamtime: Australian Aboriginal Art', San Diego Museum of Man, San Diego, CA, 19 February - 24 May 1993, 'The Evolving Dreamtime: Contemporary Art by Indigenous Australians-Part I', Pacific Asia Museum, Pasadena, CA, 3 August 1994 – 22 January 1995.

      Abell Auction
    • ADA BIRD PETYARRE, Australia (Aboriginal) (c1930 - 2009), Mountain Devil Lizard, 1997, acrylic on canvas, 86.5 x 59 x 3 cm. (34.0 x 23.2 x 1.1 in.)
      Feb. 15, 2026

      ADA BIRD PETYARRE, Australia (Aboriginal) (c1930 - 2009), Mountain Devil Lizard, 1997, acrylic on canvas, 86.5 x 59 x 3 cm. (34.0 x 23.2 x 1.1 in.)

      Est: $800 - $1,200

      † ADA BIRD PETYARRE Australia (Aboriginal), (c1930 - 2009) Mountain Devil Lizard, 1997 acrylic on canvas inscribed verso; cat no. MB6630 with Certificate of Authenticity and holding photo

      Lawsons
    • Ada Bird Petyarre, Anmatyerre (c.1930-2004), Aplite, Bush Flowers 1999, Acrylic on linen
      Dec. 06, 2021

      Ada Bird Petyarre, Anmatyerre (c.1930-2004), Aplite, Bush Flowers 1999, Acrylic on linen

      Est: $1,500 - $2,500

      Ada Bird Petyarre Anmatyerre, (c.1930-2004) Aplite, Bush Flowers 1999 Acrylic on linen Mbantua Gallery, Alice Springs, Cat. no. MB8471

      Theodore Bruce Auctioneers & Valuers
    • ADA BIRD PETYARRE "Womens Ceremony"
      Feb. 06, 2022

      ADA BIRD PETYARRE "Womens Ceremony"

      Est: $1,000 - $2,000

      ADA BIRD PETYARRE "Womens Ceremony" Acrylic on canvas. Painted in 1993. Comes with Certificate of Authencitity. Artwork is stretched and ready to hang. 96cm x 127cm

      Ozbid Auctions
    • ADA BIRD PETYARRE ( c.1930-2009) Miltary Massacre, Amaroo Station circa 1903 1998 acrylic on board
      May. 19, 2016

      ADA BIRD PETYARRE ( c.1930-2009) Miltary Massacre, Amaroo Station circa 1903 1998 acrylic on board

      Est: $800 - $1,200

      ADA BIRD PETYARRE ( c.1930-2009) Miltary Massacre, Amaroo Station circa 1903 1998 acrylic on board inscribed verso with Marlu Productions, NT, cat. no. 249-798 and GG224500 46 x 122cm

      Leonard Joel
    • ADA BIRD PETYARRE "Body Paint" Acrylic on canvas
      Jun. 10, 2013

      ADA BIRD PETYARRE "Body Paint" Acrylic on canvas

      Est: $1,000 - $2,000

      ADA BIRD PETYARRE "Body Paint" Acrylic on canvas Comes with Certificate of Authenticity Artwork is ready to hang 122cm x 46cm

      Ozbid Auctions
    • (10) Aboriginal screenprints, artists include David Ross, Lindsay Bird, Jack, Ada Bird, Hector, and Madican Thomas, silkscreen on pa...
      Oct. 19, 2021

      (10) Aboriginal screenprints, artists include David Ross, Lindsay Bird, Jack, Ada Bird, Hector, and Madican Thomas, silkscreen on pa...

      Est: $200 - $400

      (10) Aboriginal screenprints, artists include David Ross, Lindsay Bird, Jack, Ada Bird, Hector, and Madican Thomas, silkscreen on paper, largest sheet size 37" x 29-1/2", very good condition, Robert Steele Gallery NY; Robert Steele operated Anima Gallery in Adelaide, Australia as well as his gallery in New York. He represented and exhibited many contemporary American and international artists and was one of the most prominent dealers in Aboriginal art.

      William Bunch Auctions & Appraisals
    • ADA BIRD PETYARRE ( c.1930-2009) Arrested and Chained by Police for Cattle Rustling to Obtain Food circa1903 1996 acrylic on board
      May. 19, 2016

      ADA BIRD PETYARRE ( c.1930-2009) Arrested and Chained by Police for Cattle Rustling to Obtain Food circa1903 1996 acrylic on board

      Est: $800 - $1,200

      ADA BIRD PETYARRE ( c.1930-2009) Arrested and Chained by Police for Cattle Rustling to Obtain Food circa1903 1996 acrylic on board inscribed verso with Marlu Productions, NT, cat. no. 158-798 46 x 122cm

      Leonard Joel
    • February 16, 2026