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The original Nangara sign outside Oud Sint-Jan, announcing a landmark cultural meeting in Bruges. -
Cargo shipment of over 300 works by 180 Aboriginal artists, travelling from Australia to Belgium.
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A detailed floorplan model, mapping every artwork within the exhibition with curatorial precision.
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Main gallery space highlighting ochre masters such as Rover Thomas, grounding the exhibition in Country.
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A hall showcasing Emily Kame Kngwarreye’s works, many still held in the Ebes Collection today.
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Hank Ebes with the transport of Emily Kame Kngwarreye’s monumental Emily Wall, 53 panels in total.
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The Emily Wall positioned outside Oud Sint-Jan before its historic unveiling.
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The Wall awaiting installation — anticipation of its central role in Nangara.
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Over 400 guests assembled for the opening night of Nangara, marking a historic gathering.
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Visitors before Emily Kame Kngwarreye’s three-metre Yam Dreaming, a work of enduring resonance.
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